The sweetest words written in my 102,169 word YA Historical are the last two–THE END!
Done!
Dear Agent Contest: Check out the Lucky Agent contest at tinyurl.com/a8msdw2 Thanks! @ChuckSambuchino Deadline is Jan 31st~
http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/13th-free-dear-lucky-agent-contest-young-adult-and-sci-fi
2012 Top Ten Best Fiction for Young Adults | Young Adult Library Services Association YALSA
2012 Top Ten Best Fiction for Young Adults
In addition to the complete 2012 Best Fiction for Young Adults list, the committee selected the following titles as a top ten:
- Carson, Rae. The Girl of Fire and Thorns. HarperCollins Publishers/Greenwillow Books, 2011.
- Cohen, Joshua C. Leverage. Penguin Group USA/Dutton Juvenile, 2011.
- King, A.S. Everybody Sees the Ants. Little, Brown Books for Young Readers, 2011.
- McCall, Guadalupe Garcia. Under the Mesquite. Lee & Low Books, 2011.
- Myracle, Lauren. Shine. Abrams/Amulet Books, 2011.
- Ness, Patrick. A Monster Calls. Illus by Jim Kay. Candlewick Press, 2011.
- Sepetys, Ruta. Between Shades of Gray. Penguin Group/Philomel Books, 2011.
- Stiefvater, Maggie. The Scorpio Races. Scholastic Incorporated/Scholastic Press, 2011.
- Taylor, Laini. Daughter of Smoke and Bone. Little, Brown Books for Young Readers, 2011.
- Zarr, Sara. How to Save a Life. Little, Brown Books for Young Readers, 2011.
Hoping to be on this list someday… Congrats to all those who were chosen for this wonderful honor!
PW Talks with NBA Medalist William Alexander
PW Talks with NBA Medalist William Alexander By John A. Sellers | Nov 15, 2012
William Alexander, accepting his award. Rubbing elbows with the likes of Louise Erdrich and Dave Eggers came as a bit of a shock to author William Alexander, who on Wednesday night received the National Book Award for Young People’s Literature for his first novel, Goblin Secrets. “It was surreal, just hanging out with these legends,” he told PW in an interview Thursday morning. “I’ve loved their words for so many years. Now, I just referred to Junot Díaz by his first name. That’s insane. I’ve only been a novelist since March.”
NaNoWriMo ~ http://www.nanowrimo.org
Try it! But try it for real…. don’t make it a typing test. Write a novel. When you read your battered words in December you’ll be much prouder if you’ve written something workable than if you just typed the words of the song playing in the background.
Pep Talk from Lois Lowry | NaNoWriMo Young Writers Program
RePosted on 10/31/2012
Hello, writers!
It’s daunting to sit down and begin a novel.
Daunting? Is that the right word? There might be better ones. Overwhelming? Terrifying?
No, I think daunting is good. I’ll leave it.
I went through that small process to show you what I do during the writing of each and every paragraph of a novel. I question the words. Not the ands or the thens. But adjectives? I often question each one. And verbs! Verbs are the most… well, daunting.
(Question? Maybe it should be second-guess?)
It makes it pretty challenging (or exhausting, or time-consuming, or maybe just plain hard) to write a novel.
But fun, too. There is no better feeling than realizing you got the words just right.
I always begin with a character: a character to whom I introduce the reader, so that the reader will enter the novel feeling as if he or she already has a friend… or at least someone to care about.
But very quickly I let the reader know that they have to worry a bit about this new friend, because something is slightly [amiss? askew? out-of-whack?] and the book character is going to have to find a way to set things right.
That starts the plot going.
I’m not going to tell you how I write a plot because everyone does it differently, and your own way is best for you.
But I will say something about the ending of a novel. First, your main character will still be there at the ending. He (or she) will have changed, though. (In some extraordinary cases, the protagonist will be, um, sorry: dead. I’ve done that now and then in a novel—my book Messenger, for one.)
But most often the protagonist will be alive, and—this is important—will have matured in some way. Grown wiser. Braver. Stronger. Kinder. That is because throughout the plot, the protagonist has made choices (sometimes very hard ones) and he or she has learned and grown from each choice.
(So has the writer, incidentally).
I find that very often, at the ending of a novel, the writer (me, or you) will use a verb like realized, or understood, or knew, or found. It’s the job of the protagonist to accomplish all of those things.
And it’s the job of the writer to show the reader how it happened, by choosing just the right words.
Have fun, Lois Lowry
Lois Lowry is the author of Number the Stars and The Giver (both Newbery Medal winners), among 30 other books for children and young adults. She lives in Cambridge, MA in a house dominated by a very shaggy Tibetan Terrier named Alfie and a funny little cat named Lulu.
Pep Talk from Lois Lowry | NaNoWriMo Young Writers Program
MacMillan’s fight
John Sargent, CEO of MacMillan recently wrote a letter to authors, illustrators and agents regarding the recent DOJ lawsuit.
Today the Department of Justice filed a lawsuit against Macmillan’s US trade publishing operation, charging us with collusion in the implementation of the agency model for e-book pricing. The charge is civil, not criminal. Let me start by saying that Macmillan did not act illegally. Macmillan did not collude.
It is also hard to settle a lawsuit when you know you have done no wrong. The government’s charge is that Macmillan’s CEO colluded with other CEO’s in changing to the agency model. I am Macmillan’s CEO and I made the decision to move Macmillan to the agency model. After days of thought and worry, I made the decision on January 22nd, 2010 a little after 4:00 AM, on an exercise bike in my basement. It remains the loneliest decision I have ever made, and I see no reason to go back on it now.
It’s hard to dispute his decision when you’re made to feel the agony of it, isn’t it?


